Posts Tagged ‘20100901’

Florida Museum of Photographic Arts: young, busy, on the ball

Wednesday, September 1st, 2010

By: Joanne Milani, Curator

Call it young, busy and on the ball. The Florida Museum of Photographic Arts (FMOPA) is one of the newest and most energetic stars on the arts scene in Tampa Bay. How busy and much on the ball? Get ready for FMOPA’s exhibition that will bring you to exotic India, starting September 16.
“Bhupendra Karia and Derry Moore: Stillness and Shadows/ Vintage Photographs of India,” which was recently seen in London, has photographs from the 1960s and 1970s from an Indian photographer and an English one. You’ll find this on the corner of Ashley Drive and Jackson Street. It’s open Tuesday through Saturday from 10 am to 5 pm.
Fast forward to November 18 and prepare to enjoy works from the most famous photographers of the 20th century such as Andy Warhol, Diane Arbus, Weegee and Walker Evans- to name just a few.  “Naked City: Photographs from the Vassar College Collection” will stay in town through January 29, 2011.
Of course, photography is the easiest artistic medium to enjoy since everyone has a digital camera and everyone tries to use it. But the camera’s popularity as the definer of today’s visual vocabulary only partly explains the quick rise of what some people have called “the little museum that could.”
This young player on Tampa Bay’s arts scene was founded in 2001 by volunteers.  It began life in Old Hyde Park Village as the nonprofit Tampa Gallery of Photographic Arts (TGPA).  One of the founders, Chuck Levin, corralled area photography enthusiasts to mount intelligent, engaging exhibitions. It also started free workshops for at-risk children titled “Literacy Through Photography.”
In 2006, the board of directors voted to change the organization’s name to the Florida Museum of Photographic Arts. It’s a name that more accurately describes the organization’s statewide ambitions as well as its recognition by the IRS as a 501 (c)(3) charitable institution. FMOPA moved downtown the same year.
Four years later, museum membership has quadrupled to nearly 600 members, and the activities also have multiplied. To get an idea of all the shows, volunteer opportunities, photo safaris, photography classes for children and adults, lectures and the museum’s auction fund raiser, Photo Mojo, please visit www.fmopa.org.
FMOPA mounts six exhibitions annually, many of them critically acclaimed.   Its exhibition,  “Contemporary Chinese Photography,” won the award for  “Best Museum Exhibition in 2009” from Creative Loafing.  Add to this a growing roster of photography classes for kids and (especially) grown ups, and you might not be  surprised to find the next world-famous photographer coming out of Tampa Bay.

The Fallacy of the Great Idea

Monday, August 30th, 2010

Change This

Many entrepreneurs feel that they cannot start a business without a great idea. They believe it will be impossible to succeed without a completely new concept, as the market will already be cornered by established businesses. Only by venturing into uncharted territory can they achieve their dreams. This is the fallacy of the great idea.

The simple truth is that it is quite possible to create a thriving business without a big idea. In fact, starting up with a tried and tested concept is very sensible. The real key to success is focus and brilliant execution. Yes, the world needs people with grand ideas who are willing to take big risks to further progress, but the world also needs small businesses creating jobs, and entrepreneurs should not be embarrassed about not having a claim on originality.

Read the manifesto

New Ballet Company in Tampa for Young Dancers

Sunday, August 29th, 2010

Straz Center for the Performing Arts establishes Next Generation Ballet

The David A. Straz, Jr. Center for the Performing Arts (formerly the Tampa Bay Performing Arts Center) has established an exciting new ballet company in Tampa – Next Generation Ballet (NGB).

“Next Generation Ballet will provide a fantastic opportunity for young dancers to be nurtured and inspired, and will benefit our audiences as they’ll get to experience ballets featuring our talented dancers as well as guest artists,” said Judith Lisi, president and CEO of the Straz Center for the Performing Arts.

Peter Stark, chair of the dance department at the Patel Conservatory, will become artistic director of NGB. He plans to prepare outstanding young talent for professional employment through high levels of instruction, coaching and performing opportunities. Stark is an international coach of ballet wunderkinds and is bringing former student Jeffrey Cirio, (Princess Grace Award recipient), to Tampa to dance in the inaugural production of The Nutcracker.

In NGB, apprentice company members can participate for two to four years and will dance in two annual productions. Dancers in this first season will dance in The Nutcracker in December, along with guest artists from New York City Ballet and Boston Ballet, and in A Midsummer Night’s Dream on May 14, 2011. Additionally, NGB dancers will be utilized in Opera Tampa productions, including the season opener, The Merry Widow.

“This is a dream come true for me to open a dance company. Particularly during a time when dance has lost so many wonderful institutions nationally, it’s gratifying to create something new. We are thrilled to have the tremendous facilities at the Straz Center for the Performing Arts and to be utilizing world renowned productions for our two ballets this year,” Stark said. “I am thrilled that some outstanding talent will be joining our company this year in addition to stellar world renowned guest artists.”

Since Stark joined the Patel Conservatory, after directing Orlando Ballet School for a decade, five families have relocated to Tampa from Orlando to train with him and the other instructors at the Patel Conservatory Youth Ballet.

“Peter and I wanted to find a way to produce local dance of international quality that would also be financially sustainable. The idea of a company that is geared toward young performers on the cusp of their career made sense and supported the Patel Conservatory’s mission of educating young dancers, allowing them to gain valuable stage experience in a fully professional setting,” said Wendy Leigh, vice president of education at the Straz Center for the Performing Arts.

As part of students’ intensive ballet training, classes are now offered during the day as opposed to just evenings and weekends as in the past. Students in daytime classes will begin ballet study in the morning and continue through the afternoon, with breaks for lunch and academic studies. The Patel Conservatory will offer a correspondence academic school option as many serious ballet students are required to have a flexible academic schedule to accommodate dance studies.

NGB is modeled after the successful New World Symphony in Miami, Fla., which brings together professionals with students in the area of classical music. In the 2010-2011 season, NGB will feature eight apprentice dancers, 12 trainee dancers and the finest students from the Patel Conservatory Youth Ballet’s 250-member student body. Guest artists from New York City Ballet and Boston Ballet will also perform with NGB.

The Physical Evolution of Infrastructure

Sunday, August 29th, 2010

The Urbanophile

Thinking about recent posts on the Metra bridge project and long term parking meter leases, I was reminded of a conversation I had with Professor David Solzman at UIC. He made an interesting comment that we need to find a way to create infrastructure that can physically evolve over time at reasonable cost.

Our fundamental approaches to many things haven’t changed that much, despite big changes in the world. We still create major buildings to last for the ages, even though they’ll be functionally and technically obsolete quite rapidly. We treat infrastructure as a one shot build deal, where to change, upgrade or even repair it later is a hugely invasive, costly, and difficult proposition.

Maybe instead we should operate on the consumer electronics paradigm, where we focus on low cost, innovation, and a shorter term product cycle. That might be one way. Another is to create more modular or flexible architectures that allow things to be changed or replace in a much easier and cheaper manner. With things like sewer and water pipes, this might be difficult. But it’s an area worth studying.

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Life sciences, alternative energy leaders discuss Bay area

Sunday, August 29th, 2010

Tampa Bay Business Journal

Finding ways to establish the Tampa Bay area as a center for life sciences and alternative energy jobs was the goal of a community discussion Friday morning.

Hillsborough County hosted the Bio Summit and Economic Recovery Initiative at the Museum of Science and Industry’s Science Works Theater.

If Tampa Bay area organizations do not work together to create partnerships, the momentum surrounding bioscience and alternative energy could go elsewhere, said Hillsborough County Commissioner Mark Sharpe, moderator of the event. “We’ve got to compete.”

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Tampa Bay’s 2010 Inc 500

Sunday, August 29th, 2010

Creative Tampa Bay would like to congratulate five firms in Tampa Bay that appeared in Inc’s 500 list.

View the companies

In New Orleans, Kindness Trumped Chaos

Sunday, August 29th, 2010

Yes! Magazine

Lessons of dedication, solidarity, love, and recovery, five years after Katrina.

The taxi driver called me “girlfriend” and “sweetheart” with the familiar sweetness of New Orleanians, so I figured I could ask a few personal questions. He was from the Lower Ninth Ward, one of the neighborhoods inundated by Katrina—a mostly poor, mostly black edge of the city isolated and imperiled by two manmade canals—and it had taken him three and a half years to return to New Orleans. He still wasn’t in his neighborhood, but he was back in the city, and his family was back, and they were determined to come back all the way.

What happened in the aftermath of Hurricane Katrina is more remarkable than almost anyone has told. More than a million volunteers came to New Orleans to gut houses, rebuild, and stand in solidarity with the people who endured not just a hurricane but a deluge of Bush Administration incompetence and institutionalized racism at all levels of government, which temporarily turned the drowned city into a prison. Supplies were not allowed in by a panicky government; people were not allowed out, and a wholly unnatural crisis ensued.

Even so, an astounding wave of solidarity and empathy arose. At Hurricanehousing.org more than 200,000 people volunteered to shelter evacuees, often in their own homes. And then there were those legions of volunteers, many of them white, working in a city that had been two-thirds black.

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Where the Creative Class Jobs Will Be

Friday, August 27th, 2010

the Atlantic

In my last post, I mapped the projected growth in service jobs across America’s metro regions. Today, I look at a subset of those higher-paying, higher-skill jobs for knowledge, professional, and creative workers that make up the creative class. More than 35 million people are currently employed in creative class work in fields like science, technology, and engineering; business, finance, and management; law, health care, and education; and arts, culture, media, and entertainment. The creative class makes up roughly a third of total employment and accounts for more than half of all wages and salaries in America. Creative class employment has seen relatively low rates of unemployment during the course of the economic crisis. Creative class jobs will make up roughly half of all projected U.S. employment growth – adding 6.8 million new jobs by 2018.

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