Archive for the ‘Newsletter’ Category

Toward a theory of information relativity

Wednesday, September 8th, 2010

By: Dave Gray, Author on Innovation and Founder of XPLANE and speaker at Creative Tampa Bay’s upcoming event: Staying Relevant in the Future: Technology, Business, Society

All information is relative, and it’s always relative: relative to the observer and the observer’s point of view; relative to the culture and its values; relative to the situation; relative to what has come before, and to what will come next.

People often ask me how to visualize information. They ask things like “How can I visualize my industry ecosystem?” or “How can I visualize how my product works.” My first instinct is to try and back them up a bit. This is because they are already defining their project in terms of an answer or solution, and before you can deliver an answer you need to know the question. Getting the question right is the most important component in information design, and it’s the most common point where information design goes wrong.

This is because information is always relative. Always. Before you can undertake any kind of visualization exercise, you need to know what question you want to answer, and for whom. A look at the history of information will confirm this point.

Science is a process by which we attempt to compare our perceptions with something we call “reality” but in fact reality is something we can never really know for sure. Like the flickering shadows on the wall of Plato’s cave, reality is something we can only see dimly, because it’s distorted by our perceptions and beliefs. Every observation and fact has a margin of error, which is directly related to the observer’s background, beliefs, culture and limitations. It is written in the Talmud, “We see things not as they are, but as we are.”1

By beginning with an audience and a question you give yourself a focusing device. Like a flashlight, the audience and question will illuminate the information that’s relevant to your goal, while leaving the rest in the dark. Good information design is as much about what you leave out as what you put in.

What to put in: Information that’s relevant to your target audience, and that answers a real question that they have. What to leave out: Everything else. The best rule of thumb is “When in doubt, leave it out.”

So if you want to create a visual in order to explain something, ask yourself the following questions first:

“Who am I explaining it to?”
“What do I want them to do?”

At XPLANE we call this the WHODO, and it’s a required input to any project we undertake. Once you understand the WHO (your audience) you will have a sense of their level of existing knowledge of the subject.

For example if you are explaining scientific or technical information to engineers or scientists you can assume a high level of sophistication and readiness. Based on the cultural expectations in science and engineering fields, you can also assume a high level of skepticism and a need for evidence and proof.

Explaining the same information to a group of executives, or salespeople, would be a completely different exercise. You can expect that they will have a different set of questions and probably will be more focused on practical applications and will get impatient with scientific or technical explanations.

Thus, the same information will need to be presented very differently based on the audience that you are talking to.

Understanding the audience is only part of the equation. The other half of the WHODO is DO. Before you can undertake any explanatory task you need to know what outcome you expect. Describing this as a change in understanding is not enough. Understanding is difficult to observe. People often will say they understand something just to get you out of their hair.

People will also believe that they understand something when they don’t really understand it. Have you ever left a meeting where everyone seemed to be in agreement, yet their later actions made it clear that they didn’t agree after all? It’s common to see nodding heads in a room when people don’t agree – they think they agree but in reality they don’t. This is because when an explanation is sufficiently vague, people are free to believe what they want to believe. Politicians often use this rhetorical principle to great effect. Words like “freedom, justice and fairness” mean different things to different people. Vague explanations are common in business, and they can give the illusion of agreement. But they don’t get results.

Here’s the key: When people understand things differently, they do things differently. What they say is less revelatory than what they do. So if you want to build a rock-solid explanation, focus on what you want people to do. If they understand what you are saying, what changes in behavior would you expect to see?

Once you have defined your WHODO, next you need to anticipate the questions they will ask. This again will depend on your audience and the information they will need to make a decision. Part of this is also cultural. Scientists will want to see scientific evidence. They will want technical explanations and probably a lot of detailed analysis. Busy executives may want different kinds of proof, such as what customers are buying and what competitors are doing. They will also be less generous with their time and expect you to get quickly to the point.

But you don’t have to go in cold. If you understand the mind of your audience, you will be able to generate a list of questions that they are likely to ask.

Once you have defined your WHODO and generated a list of questions, you can start thinking about how to visualize the information. Will they need a broad overview or detailed charts and specifications? Will they need to see the value to the customer, or the technical operational details?

In the fields of information science and knowledge management there is a model known as the Data Information Knowledge Wisdom Hierarchy, or DIKW for short. This has become a standard for defining the terms and how they relate to each other.2 Here’s how defines the hierarchy:

Data has no particular significance beyond representation. It consists of symbols that stand for objects, events or their properties. Data is a collection of facts3 – also called “know-nothing”4 to reinforce the point that data, by itself is dumb; it has no meaning.

Information is data that has been organized so that it is useful, usually because of relational connections – also called “know-what.” Information answers questions like who, what, where, when and how many.

Knowledge is information that has been integrated into the mind, memory and body, such that it can be applied to doing and making things, also called “know-how.” Knowledge is usually acquired through experience, or through stories about other people’s experiences.

Wisdom is the ability to perceive value, make judgments, and evaluate long-term consequences. Russell Ackoff describes the difference between knowledge and wisdom as the difference between doing things right and doing the right thing. Wisdom requires values, and values are perhaps the most relative thing of all.

So I propose the beginnings of a theory of information relativity:

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View Dave’s book: Gamestorming: A Playbook for Innovators, Rulebreakers, and Changemakers

Save close to $10K Annually By Riding Public Transportation

Wednesday, September 8th, 2010

Publictransportation.org

Riding public transportation saves individuals, on average, $9,381 annually and $782 per month based on the August 10, 2010 average national gas price ($2.78 per gallon- reported by AAA) and the national unreserved monthly parking rate. Riding public transit as an alternative to driving is a proven way for individuals to cut monthly and yearly transportation costs while also reducing their carbon footprint.

The American Public Transportation Association (APTA) releases this monthly “Transit Savings Report” to examine how an individual in a two-person household can save money by taking public transportation and living with one less car. The national average for a monthly unreserved parking space in a downtown business district is $154.23, according to the 2009 Colliers International Parking Rate Study. Over the course of a year, parking costs for a vehicle can amount to an average of $1,850.

The top 20 cities with the highest transit ridership are ranked in order of their transit savings based on the purchase of a monthly public transit pass and factoring in local gas prices for August 10, 2010 and the local monthly unreserved parking rate.*

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Reflecting on the Labor of Artists

Tuesday, September 7th, 2010

The Huffington Post

Labor Day has come and gone again with all its incongruities. It is a day when we celebrate laborers and the work ethic… by taking a day off. It’s a national day of leisure where we heap well-deserved praise on workers, many of them working all around us, many of them right there working to help us enjoy this very national holiday.

Despite extensive television and print advertising showing the ecstatic faces of school children of all ages preparing for the new academic year by purchasing shoes and electronics, kids of all ages were depressed yesterday. I was always depressed on Labor Day and, come on, almost everyone else was too. Summer is over. Labor begins. Teachers are even more depressed. I know, I come from a teaching family. It has been this way for the more than 100 years since Labor Day began.

While many have a holiday, Labor Day is a work day for the arts. Dancers dance. Musicians make music. Performances and festivals, and nightclub acts, and arts centers, are generally all open for business. And the artists and arts administrators needed for the magic are right there to make the magic happen as they are every day.

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10 Ways to Solve the Jobs Problem

Tuesday, September 7th, 2010

Yes! Magazine

Imagine a no-holds-barred “summit” that comes up with ideas to solve both our job and environmental problems. What might it come up with?

As the midterm political season heats up, one word on every politician’s lips is “jobs.” And for good reason. People are hurting—they can’t pay their mortgages, send their kids to college, pay their dental bills. Young people are wondering if they have a place in the work world.

So the economic pundits cheer when car sales go up, housing starts rise, consumer confidence strengthens. But as the oily ooze in the Gulf tars yet another beach, we all sense something is terribly wrong. We can’t keep tearing up the planet to keep ourselves employed. There must be another way.

So—imagine a no-holds-barred “summit” that comes up with ideas to solve both our job and environmental problems. What might it come up with?

View the list and submit your own ideas

The Hotel as Art Gallery

Monday, September 6th, 2010

The New York Times

The James, a sleekly designed hotel rising over Grand Street in SoHo, will open for business on Wednesday with all the support staff a guest could expect: a concierge, receptionists, bellhops, chambermaids, parking valets.

All that, and one helping hand a guest might not expect: a hotel art curator.

Hotels have been hanging fine art on their walls for decades now. Ian Schrager commissioned a series ofRobert Mapplethorpe prints for what is considered the original boutique hotel, the Morgans, in 1984; the Roger Smith, a small property in Midtown Manhattan, transformed its lobby into an art gallery and performance space as part of a 1991 renovation.

But few have gone so far as the James, which hired a young artist, Matthew Jensen, to select original artworks to adorn each of its 14 floors of guest rooms.

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Tampa Bay museums provide free admission on museum day, 9/25

Thursday, September 2nd, 2010

The following Tampa Bay museums are participating in Smithsonian Magazine’s Museum Day and providing free admission on September 25, 2010*.

The Armed Forces Military Museum,  Largo

Cracker Country, Tampa

Explorations V Children’s Museum, Lakeland

Florida Air Museum, Lakeland

Florida Craftsman, Inc., St. Petersburg

Florida Holocaust Museum, St. Petersburg

The Florida Museum of Photographic Arts, Tampa

G. Wiz – the Science Museum, Sarasota

Henry B. Plant Museum, Tampa

The John and Mable Ringling Museum of Art, Sarasota

Leepa-Rattner Museum of Art, Tarpon Springs

Museum of Fine Arts, St. Petersburg

The Pier Aquarium, St. Petersburg

Polk Museum of Art, Lakeland

St. Petersburg Museum of History, St. Petersburg

Tampa Museum of Art, Tampa

The University of Tampa Scarfone/Hartley Gallery, Tampa

Ybor City Museum State Park, Ybor City

*Note: Please verify participation with each individual museum

Tampa is first in Florida to adopt new urban development standard

Thursday, September 2nd, 2010

Maddux Report

Tampa City Council unanimously adopted an amendment to the Comprehensive Plan that defines the guidelines for Transit Oriented Development for the City of Tampa.  “I applaud your vision, and that of Mayor Iorio, leading the way with a new standard for urban development and infill that will facilitate a more livable and sustainable Tampa and region.” said Planning Commission Executive Director Robert B. Hunter, FAICP.  “This plan amendment has received unprecedented support by the public and private sectors, business community, civic groups and neighborhoods.  This action can be attributed to the combined efforts of the City of Tampa and the Planning Commission working together with the State Department of Community Affairs to ensure state compliance.  Tampa is shovel-ready for private and public development initiatives.”

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Florida Museum of Photographic Arts: young, busy, on the ball

Wednesday, September 1st, 2010

By: Joanne Milani, Curator

Call it young, busy and on the ball. The Florida Museum of Photographic Arts (FMOPA) is one of the newest and most energetic stars on the arts scene in Tampa Bay. How busy and much on the ball? Get ready for FMOPA’s exhibition that will bring you to exotic India, starting September 16.
“Bhupendra Karia and Derry Moore: Stillness and Shadows/ Vintage Photographs of India,” which was recently seen in London, has photographs from the 1960s and 1970s from an Indian photographer and an English one. You’ll find this on the corner of Ashley Drive and Jackson Street. It’s open Tuesday through Saturday from 10 am to 5 pm.
Fast forward to November 18 and prepare to enjoy works from the most famous photographers of the 20th century such as Andy Warhol, Diane Arbus, Weegee and Walker Evans- to name just a few.  “Naked City: Photographs from the Vassar College Collection” will stay in town through January 29, 2011.
Of course, photography is the easiest artistic medium to enjoy since everyone has a digital camera and everyone tries to use it. But the camera’s popularity as the definer of today’s visual vocabulary only partly explains the quick rise of what some people have called “the little museum that could.”
This young player on Tampa Bay’s arts scene was founded in 2001 by volunteers.  It began life in Old Hyde Park Village as the nonprofit Tampa Gallery of Photographic Arts (TGPA).  One of the founders, Chuck Levin, corralled area photography enthusiasts to mount intelligent, engaging exhibitions. It also started free workshops for at-risk children titled “Literacy Through Photography.”
In 2006, the board of directors voted to change the organization’s name to the Florida Museum of Photographic Arts. It’s a name that more accurately describes the organization’s statewide ambitions as well as its recognition by the IRS as a 501 (c)(3) charitable institution. FMOPA moved downtown the same year.
Four years later, museum membership has quadrupled to nearly 600 members, and the activities also have multiplied. To get an idea of all the shows, volunteer opportunities, photo safaris, photography classes for children and adults, lectures and the museum’s auction fund raiser, Photo Mojo, please visit www.fmopa.org.
FMOPA mounts six exhibitions annually, many of them critically acclaimed.   Its exhibition,  “Contemporary Chinese Photography,” won the award for  “Best Museum Exhibition in 2009” from Creative Loafing.  Add to this a growing roster of photography classes for kids and (especially) grown ups, and you might not be  surprised to find the next world-famous photographer coming out of Tampa Bay.

The Fallacy of the Great Idea

Monday, August 30th, 2010

Change This

Many entrepreneurs feel that they cannot start a business without a great idea. They believe it will be impossible to succeed without a completely new concept, as the market will already be cornered by established businesses. Only by venturing into uncharted territory can they achieve their dreams. This is the fallacy of the great idea.

The simple truth is that it is quite possible to create a thriving business without a big idea. In fact, starting up with a tried and tested concept is very sensible. The real key to success is focus and brilliant execution. Yes, the world needs people with grand ideas who are willing to take big risks to further progress, but the world also needs small businesses creating jobs, and entrepreneurs should not be embarrassed about not having a claim on originality.

Read the manifesto

New Ballet Company in Tampa for Young Dancers

Sunday, August 29th, 2010

Straz Center for the Performing Arts establishes Next Generation Ballet

The David A. Straz, Jr. Center for the Performing Arts (formerly the Tampa Bay Performing Arts Center) has established an exciting new ballet company in Tampa – Next Generation Ballet (NGB).

“Next Generation Ballet will provide a fantastic opportunity for young dancers to be nurtured and inspired, and will benefit our audiences as they’ll get to experience ballets featuring our talented dancers as well as guest artists,” said Judith Lisi, president and CEO of the Straz Center for the Performing Arts.

Peter Stark, chair of the dance department at the Patel Conservatory, will become artistic director of NGB. He plans to prepare outstanding young talent for professional employment through high levels of instruction, coaching and performing opportunities. Stark is an international coach of ballet wunderkinds and is bringing former student Jeffrey Cirio, (Princess Grace Award recipient), to Tampa to dance in the inaugural production of The Nutcracker.

In NGB, apprentice company members can participate for two to four years and will dance in two annual productions. Dancers in this first season will dance in The Nutcracker in December, along with guest artists from New York City Ballet and Boston Ballet, and in A Midsummer Night’s Dream on May 14, 2011. Additionally, NGB dancers will be utilized in Opera Tampa productions, including the season opener, The Merry Widow.

“This is a dream come true for me to open a dance company. Particularly during a time when dance has lost so many wonderful institutions nationally, it’s gratifying to create something new. We are thrilled to have the tremendous facilities at the Straz Center for the Performing Arts and to be utilizing world renowned productions for our two ballets this year,” Stark said. “I am thrilled that some outstanding talent will be joining our company this year in addition to stellar world renowned guest artists.”

Since Stark joined the Patel Conservatory, after directing Orlando Ballet School for a decade, five families have relocated to Tampa from Orlando to train with him and the other instructors at the Patel Conservatory Youth Ballet.

“Peter and I wanted to find a way to produce local dance of international quality that would also be financially sustainable. The idea of a company that is geared toward young performers on the cusp of their career made sense and supported the Patel Conservatory’s mission of educating young dancers, allowing them to gain valuable stage experience in a fully professional setting,” said Wendy Leigh, vice president of education at the Straz Center for the Performing Arts.

As part of students’ intensive ballet training, classes are now offered during the day as opposed to just evenings and weekends as in the past. Students in daytime classes will begin ballet study in the morning and continue through the afternoon, with breaks for lunch and academic studies. The Patel Conservatory will offer a correspondence academic school option as many serious ballet students are required to have a flexible academic schedule to accommodate dance studies.

NGB is modeled after the successful New World Symphony in Miami, Fla., which brings together professionals with students in the area of classical music. In the 2010-2011 season, NGB will feature eight apprentice dancers, 12 trainee dancers and the finest students from the Patel Conservatory Youth Ballet’s 250-member student body. Guest artists from New York City Ballet and Boston Ballet will also perform with NGB.